CRUCIAL BLAST on GEOMANCY
"The latest offering from Wilt is this new collaboration with the solo
digital drone/noise artist Michael Palace, who records under the name
Horchata. I haven't heard anything from Palace's project in years; the
last thing of his I remember picking up was a tape on Truculent, which
would have been earlier this past decade. I definitely don't remember
his work sounding anywhere near as ominous and unsettling as this,
though. Working together on Geomancy, the two artists produce a
series of virtually lightless soundscapes that combine bleak, blasted
expanses of aural desolation, distant rumbling tremors, and slow-moving
clouds of metallic whir and hum that swirl around the simple drifting
synth-shapes that hover within the blackness like glowing black sigils.
And it's all blackness. Wilt always produces nightmarish sounding stuff,
but this is the closest that I think I've ever heard the duo venture
into this kind of cosmic black ambience that sits somewhere in between
the darkest Tangerine Dream/Klaus Schulze works and the deep-earth
horror of Lustmord and Yen Pox. Of course, they add in the sort of
monstrous black electronics and hellish textures that their work is
known for; throughout long tracks of abyssal ambience like "Procession
Of The Equinoxes" and "Patterns In The Soil", Wilt infests the slowly
drifting black fog with an array of far-off croaks and howls, snatches
of garbled chanting, swells of deep metallic Sunn O)))-like drone,
distant horns melting across a jet-black horizon, and on "Etheric
Winds", the artists create a black kosmische ambience where
faint pulsating signals and whirring machinelike sounds combine with
waves of pitch-black space drift and amorphous metallic buzz, sounds
that later return in a more hushed manner on some of the album's later
forays into fuzz-draped nocturnal driftscapes that resemble a more
malevolent version of Tim Hecker's granular electronic ambience. The
further you get into Geomancy's arcane formations, the stranger
they get, even as the music becomes more cinematic in scope; on ""Stone
Alignment", the cavernous drones transform into this strange electronic
dirge where distorted synth chords plod over massive reverberant
tympani-like drums, processed samples of orchestral strings and softly
wavering electronic textures, becoming one of the album's most arresting
tracks, and the closer "Amplifying The Geometry" is a mesmerizing piece
of widescreen midnight ambience stained with looped horns and lysergic
darkness that resurrects some of the obsidian metallic heaviness that
appears earlier on the disc. Fans of Wilt are obviously going to love
this, but anyone not familiar with this project who dig abstract,
blackened ambient electronics and formless doom-laden dread should check
this out as well...
Comes in a digipack package."
Available at Crucial Blast
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